Fleet Foxes. Dungen. First Avenue.

If that headline doesn’t tell you everything you need to know, try this on for size: Fleet Foxes, one of my favorite new bands from 2008, will be sharing the First Avenue Mainroom stage with Dungen come Sunday, August 9. Dungen is a Swedish psychedelic rock group whose music I’ve been loving since I first heard it three years ago. I caught their show at the 400 Bar on Election Night, and I fully expect the combination of them and the much more mellow Fleet Foxes to be nothing short of an experience. I know I shouldn’t get my hopes up, but I can’t help be excited; in fact, I’m going to order my tickets right now. Oh, and Pitchfork has a small write-up on the tour.

Waxman-Markey

The Economist this week leads its United States section with an overview of the cap and trade bill working its way through the House. It’s called Waxman-Markey and it’s not as great as you might think.

On May 15th Henry Waxman and Edward Markey, the Democratic point-men on climate change in the House of Representatives, unveiled a bill that would give away 85% of carbon permits for nothing, with only 15% being auctioned. The bill’s supporters say this colossal compromise was necessary to win the support of firms that generate dirty energy or use a lot of it, and to satisfy congressmen from states that mine coal or roll steel.

That’s opposed to President Obama’s plan, which would have raised hundreds of billions of dollars, “most of which Mr Obama planned to give back to voters.”

Overall, ordinary Americans will endure price hikes just as severe as they would have under Mr Obama’s plan, while receiving far less compensation. [American Enterprise Institute analyst Alan Vaird] likens giving permits to polluters to handing the proceeds of a tobacco tax to the shareholders of Philip Morris.

Is this climate change we can believe in?

Jason Hawkes

The tagline on Jason Hawkes website reads simply “aerial photography.” That’s true, I suppose, but it hardly seems to describe why you should pay him any attention. Hawkes shoots landscapes touched by humankind and clearly inspired by some other greats: You see Edward Burtynsky in his shots of Hong Kong apartment blocks and an English landfill, Vincent Laforet in his urban ariels and David Maisel in some of his more abstract shots. A nice cross-section of Hawkes’ photos is featured in this recent set from The Big Picture.