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	<title>Doug Hamlin&#039;s Brain &#187; short stories</title>
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		<title>Praising the short story</title>
		<link>http://doughamlin.com/blog/praising-the-short-story/</link>
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		<pubDate>Tue, 07 Apr 2009 13:04:23 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Quick Links]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[A.O. Scott writes in praise of the short story. Reading through their collected stories, you wonder if novels are even necessary. The imperial ambitions of a certain kind of swaggering, self-important American novel — to comprehend the totality of modern &#8230; <a href="http://doughamlin.com/blog/praising-the-short-story/">Continue reading <span class="meta-nav">&#8594;</span></a><p><br/><br/><a href="http://doughamlin.com/blog/praising-the-short-story/">Praising the short story</a></p>
]]></description>
			<content:encoded><![CDATA[<p>A.O. Scott writes <a href="http://www.nytimes.com/2009/04/05/weekinreview/05scott.html" target="_blank">in praise of the short story</a>.</p>
<blockquote><p>Reading through their collected stories, you wonder if novels are even necessary. The imperial ambitions of a certain kind of swaggering, self-important American novel — to comprehend the totality of modern life, to limn the social, existential, sexual and political strivings of its citizens — start to seem misguided and buffoonish. More of life is glimpsed, and glimpsed more clearly, through Barthelme&#8217;s fragments, Cheever&#8217;s finely ground lenses or the pinhole camera of O&#8217;Connor&#8217;s crystalline prose.</p></blockquote>
<p><br/><br/><a href="http://doughamlin.com/blog/praising-the-short-story/">Praising the short story</a></p>
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